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dbx Compressor Limiters |
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266XS Compressor/Gate
The dbx 266XS processor is the result of an intensive engineering and product development effort aimed at taking advantage of the latest and best advances in manufacturing technology to deliver true dbx audio performance and reliability to our customers at the lowest possible cost. The 266XS puts a completely new level of compressor/gate performance within everyone’s reach. Goof proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes, New gate timing algorithms ensure the smoothest release characteristics, Program-adaptive expander/gates, Great sounding dynamics control for any type of program material, Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup, Stereo or dual-mode operation, Balanced inputs and outputs on 1/4" TRS and XLR, Side Chain insert, Classic dbx "Auto" mode
266XS Compressor/Gate 2 Channel |
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166XS Compressor/Limiter/Gate
The dbx 166XS processor is the result of an intensive engineering and product development effort aimed at taking advantage of the latest and best advances in manufacturing technology to deliver true dbx audio performance and reliability to our customers at the lowest possible cost. The 166XS puts a completely new level of compressor/gate performance within everyone’s reach. Goof proof operation to smooth uneven
levels, add sustain to guitars, fatten drums or tighten up mixes, New gate
timing algorithms ensure the smoothest release characteristics,
Program-adaptive expander/gates, Great sounding dynamics control for any
type of program material, Separate precision LED displays for gain
reduction, compression threshold and gate threshold allow quick, accurate
setup,
166XS Compressor/Limiter/Gate |
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160A Compressor/Limiter The dbx 160A's unique "INFINITY +" inverse-compression mode actually decreases the audio output level below unity gain when the input exceeds threshold, a real lifesaver for correcting overbearing vocal choruses and controlling runaway house mix levels. A detector input can be used with an equalizer for de-essing sibilant vocals and selectively smoothing out boomy notes on acoustic guitar and bass. And two 160As can be stereo-coupled to process an entire mix or instruments mic'd in stereo, without shifting the left/right image. Its musical sound, easy operation and unequalled versatility made the original dbx 160 a world standard. The 160A follows that tradition, while meeting the challenges of a digital world. OverEasy® or classic hard knee compression with dbx's ultra-musical program dependent attack and release times, Compression ratio variable from 1:1 through infinity :1 to negative compression, Precision dual RMS LED display monitors input or output and gain reduction over a wide range and calibrates for different operating levels, Over 60dB of gain reduction available, Exclusive Infinity+ compression allows negative compression, Independent balanced and unbalanced outputs can drive 600 loads to +24dBm simultaneously. New floating balanced output stage drives any load, Optional output transformer capable, Strappable with another 160A for true RMS stereo summing operation
160A Compressor/Limiter OverEasy or
Hard-Knee |
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1066 Dual Compressor Limiter Gate In the studio, broadcast facility or on the road with a P.A. system, the 1066 is designed for perfectly simple operation. The 1066 allows you to eliminate unwanted signals, flexibly control overall signal gain and guard your overall mix in dual mono or stereo operation. At the heart of the 1066 is our new dbx V2 VCA. Developed especially for the 1066, 1046 and other 10 series products to come, this revolutionary VCA boasts superb dynamic range characteristics while maintaining very low distortion and almost immeasurable noise characteristics. The bottom line is this: a new VCA working in conjunction with world class design makes the dbx 1066 perform better than compressors selling for hundreds more. Selectable auto (classic dbx®) or manual (variable Attack and Release) compression, Contour switch removes unwanted low frequency information from detector circuit, Selectable Overeasy® or Hard Knee compression modes, PeakStopPlus™ limiting for setting maximum allowable level with minimal distortion, SC Ext and SC Mon for setting up and monitoring external devices for gating function, True differentially balanced gold-plated XLR and 1/4" inputs and outputs, True RMS level detection, Precision metering of input level, output level, and gain reduction, True stereo or dual mono operation, Switchable +4dBu or -10dBV operation per channel
1066 Dual Compressor Limiter Gate |
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1046 Quad
Compressor Limiter The 1046 provides 4 channels of smooth classic dbx OverEasy® or Hard Knee compression that are perfectly suited for use on individual tracks of your multitrack recorder, and in virtually all applications the separate channels can be individually interfaced and used for entirely independent purposes. Additionally the newly developed PeakStopPlus™ is ideal for protecting your system from the oppressive peaks that can take out valuable drivers in your sound reinforcement rig or studio monitors. Four independent channels of operation, stereo linkable in two pairs, PeakStopPlus™ limiting control for setting maximum allowable level regardless of compressor settings, Independent Threshold and Release controls, Switchable OverEasy® or Hard Knee compression, Classic dbx® compression, Differentially balanced gold-plated XLR and 1/4" inputs and outputs. True RMS level detection, Precision metering of input level, output level, and gain reduction, Dual True stereo or quad mono operation, Switchable +4dBu or -10dBV operation per channel
1046 Quad Compressor Limiter 4 Channel |
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160SL Stereo
Compressor/Limiter Since its inception the 160S has become the mark for which other compressors reach. As the leader in VCA and compressor design and engineering, we at dbx are always seeking to improve our products and give you the best possible compression solutions. With the newly improved 160SL, we introduce the patent-pending AutoVelocity technology. With AutoVelocity it is now easier than ever to dial up the exact attack and release effect you are looking for, via the program-dependent, or non program dependent manual mode. Still on board is the venerable dbx Auto mode. Now you can set your maximum preferred settings in manual mode, and let the 160SL do the rest for you, depending on your program material. Patent-pending AutoVelocity™ circuit, 127dB of Dynamic Range, High-Drive output transformer circuit drives 1000 ft. of Belden® cable at +30dBu with only .007% THD, Switchable between Hard-knee and OverEasy® Compression, Program-dependent "Auto," AutoVelocity™ or fully variable attack ad release manual modes
160SL Stereo Compressor/Limiter 2 Channel |
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